Swordcane with joint-concealing 11x10 Turkshead. (Rather dirty, I'm afraid.) Made of #21 unpolished cotton twine. appx. 1986 |
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My Irish flute. Decorative turks (7 bight two-pass at head and three-strand at foot) added for show. 45# double-braided dacron kite-line fed into itself to form a "Samson-braid" type line. Works and knots well, but making it up is the very devil itself as I can't find a long or thin enough needle to facilitate the back-thread. |
Mandolin strap of true Belfast Cord in black and white. Head end is a black square sennit leading down into the body proper, which was done by larks-heading the white lines and then proceeding from there. At the next point, four of the black were lead into the centre and provide a contrast. At the end, the lines were reduced to form the end-button and cockscombed grommet. This is my performing instrument Appx 1983 |
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Guitar strap of #21 unpolished white (well, it WAS, d'ye ken?) cotton twine. Another unsatisfactory line as this consistantly unlaid itself while being worked by the right hand. Chevrons required extensive re-positioning of the working ends and resulted in rather uneven diamonds. As I am unable to play guitar any longer, I no longer use this strap but I keep it around for memories and to remind myself NOT to use THAT particular cord again for fancywork. Bloody frustrating, it were! appx. 1985 |
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Say, just what the hell IS Belfast Cord, anyway? (an explanation) |